SONG OF THE WEEK – “COLORADO CHRISTMAS”

It is hard to write a good Christmas song.  With the traditional carols and the sentimental tunes from the 1940s and 50s and the “Nutcracker” and other more serious music and each listener’s personal memories of the Holidays, anything that a person writes would almost necessarily fall short.  Years ago, I thought that I had come up with the perfect new Christmas song, but no one has ever wanted to listen to it all the way through.  I would say, “Listen to this.  It starts like . . .”

Don’t stand under the mistletoe with anyone else but me,
Anyone else but me
Anyone else but me . . .

By that point, whoever was listening thought I wasn’t serious and walked away.

Steve Goodman is someone who actually did write a good “modern” Christmas tune; and since Christmas is a time for families, his words are meaningful for me.  Steve was born in Illinois, just a few miles from my birthplace, and about 4 months after me.  He was a gifted song writer, best known for “City of New Orleans,” but he passed away too young, in 1984, from complications of leukemia.

You may not know it, but there are many forms of leukemia.  Steve Goodman was diagnosed with acute lymphoblastic leukemia while he was still in college, in 1968.  Eventually he developed a more serious form – myelodysphasia.  He received a stem cell transplant and had periods of remission, but eventually the cancer did what cancers do.

As I was growing up in Colorado, the person with whom I spent the most time was my brother, Lonny.  Many years later, he was diagnosed with a bone marrow disorder called myelofibrosis.  He also received a stem cell transplant, for which I was the donor.  It looked as though the procedure had been a success, but a year later he developed acute myeloid leukemia, a condition that could not be cured.  He passed away a little over two years ago.

I don’t mean to be maudlin.  I am happy and grateful for all my family and friends and for the Holidays which are here once again.  I just wanted to explain why this last-week-before-Christmas Song of the Week is the Nitty Gritty Dirt Band version of Steve Goodman’s “Colorado Christmas” – and it is not a sad song.

Merry Christmas!

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CHAPTER 81 – BEAUTIFUL WORDS

Chapter 81 – Beautiful Words

True words are not beautiful;
Beautiful words are not true.
A good man does not argue;
He who argues is not a good man.
A wise man has no extensive knowledge;
He who has extensive knowledge is not a wise man.
The sage does not accumulate for himself.
The more he uses for others, the more he possesses of his own.
The Way of Heaven is to benefit others and not to injure.
The Way of the sage is to act but not to compete.

Translation by Wing-Tsit Chan (1963)


This final chapter of the Tao Te Ching contains several brief generalizations that are probably good to keep in mind, can be applied in a variety of circumstances and each could be discussed for pages. They do not, however, seem to add much, if anything, to what we have been told in the earlier chapters.

Tracing of an engraving of Sosibios vase by John Keats (from Wikipedia)

Tracing of an engraving of Sosibios vase by John Keats (from Wikipedia)

For my initial pass at interpretation, I would like to continue the fiction that the Tao Te Ching was composed sequentially, as a book, by a single sage named Lao Tzu. As the last chapter, this would be sort of an epilogue written to bring closure to the work. Seen in that light, Lao Tzu would be saying something like:

Back in Chapter 1 I told you that the Tao that can be expressed in words is not the true Tao. In this book I have written as well as I know how, but words are limited and only approximate the truth. I have not tried to argue with any other schools of philosophy. My own knowledge base is limited, but is focused on the things about which I have written. I wanted to share those with you, my readers. If I had kept them to myself, it would be of benefit to no one.

Perhaps I should leave it at that and spend a few paragraphs as my own epilogue concerning what I have done and learned as a result of writing about Lao Tzu’s beautiful words for well over a year and a half. However, I will leave that for another day and use this space to express a few thoughts on the first two lines of the chapter: “True words are not beautiful; beautiful words are not true.”

Anyone who has ever taken a college or high school class on English poetry, is certainly reminded of the last lines of John Keats’ “Ode on a Grecian Urn”: “’Beauty is truth, truth beauty’ – that is all/Ye know on earth and all ye need to know.” At first glance, Keats seems to have directly contradicted Lao Tzu. Is one of these great men right and the other wrong, or can they be reconciled? Continue reading

SONG OF THE WEEK – “OUR HEARTS WILL PLAY THE MUSIC”

It is barely two weeks until Christmas, and it seemed appropriate to choose something nice and Yule-related for the Song of the Week.  One of the choices I considered was Roger Miller’s “Old Toy Trains.”*  That reminded me, though, of Miller’s “Our Hearts Will Play the Music,” which is perhaps closer to the way I have been feeling of late (or for many years, for that matter).

Roger Miller was an interesting “country” performer who said it took him 20 years to become an overnight success.  His father died when he was only a year old.  His mother was unable to provide for her three children, so Roger was separated from his brothers and went to live with his aunt and uncle on a small Oklahoma farm.  His cousin’s husband, Sheb Wooley, became a minor celebrity based on his hit song, “Purple People Eater,” and Roger wanted to follow those footsteps.  He ran away from home while still in high school, but was arrested for stealing a guitar.  Rather than go to jail, he was permitted to join the army, where he was assigned to “Special Services” and required to play fiddle.  After his discharge, he moved to Nashville and began song writing.

Some of his songs became hits for other artists, but his performing career was mostly restricted to playing in backup bands for more well-known singers.  What turned out to be his big break came in 1963 when he signed a contract with the relatively new Smash Records.  Smash was a very eclectic label which recorded artists as diverse as Jerry lee Lewis, James Brown, Mother Maybelle Carter, Eric von Schmidt, the Left Banke and Sheep on Drugs (really).  Miller’s first big hit, “Dang Me” was released early the next year.

Also in 1964, he recorded his best known song, “King of the Road,” which was released as a single and on the album, The Return of Roger Miller.  That album included our Song of the Week, “Our Hearts Will Play the Music.”  Miller continued to produce popular songs until Smash Records was discontinued by its parent company, Mercury Records, in 1970.

Miller was known as an eccentric, hard-living, hard-drinking, hard-smoking guy who dashed off his songs quickly and never looked back.  However, in the early 1980s he seemed to become more focused and spent over a year writing the score to a musical called Big River that was based on Mark Twain’s stories of Huckleberry Finn.  The show opened on Broadway in 1985 with Roger Miller playing the role of Huck’s father, Pap, for several months after the original actor, John Goodman, left for Hollywood.

Miller’s unhealthy ways did catch up with him.  He developed a cancer that took his life in 1992, at the age of 56.

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SONG OF THE WEEK – “MINUTE PROLOGUE”

It has been a strange couple of weeks.  I learned that a long-time friend was diagnosed with a very serious dis-ease, the mother of another friend suffered a stroke, I had a long conversation with yet another friend whose wife passed away only a few weeks ago; and I have been trying to deal with a roofing/exterior company to get the rest of the hail damage to our house repaired, which should have been finished months ago.  Times like these can turn one’s thoughts to (as Bob Dylan says) “the countless confused, accused, misused, strung-out ones and worse.”

It is obviously time for healing, and listening to Leonard Cohen’s “Minute Prologue” will help.  The song is about 76 seconds long, and is worth hearing all the way through – maybe twice.

I have written about Leonard Cohen several times (for instance here and here and here), so I won’t say any more about him right now.  “Minute Prologue” was recorded at a concert in London, England and included on the 1972 album, Live Songs.

https://www.youtube.com/watch?v=AJ8ETB2mVQQ

Minute Prologue
By Leonard Cohen

“I’ve been listening
To all the dissension
I’ve been listening
To all the pain
And I feel that no matter
What I do for you
It’s going to come back again
But I think that I can heal it
But I think that I can heal it
I’m a fool, but I think I can heal it
With this song.”

© Sony/ATV Music Publishing LLC

CHAPTER 80 – KNOTTED CORDS

Chapter 80 – Knotted Cords

With a small State, sparsely populated,
supposing that I had weapons for a thousand men, I would not use them.
I would rather teach my subjects to think seriously of death, and not to emigrate to a distance.
Then, though they might have ships and chariots, nobody would mount them;
though they might have armour and weapons, nobody would set them in array.
I would make them return to the use of the quipu,
render their food toothsome,
beautify their clothes [by cultivating the silkworm],
live tranquilly at home,
be happy in their domestic usages,
keep watch with neighbouring states for their mutual safety,
and let the crowing of cocks and barking of dogs be heard by one another [from their numbers and proximity].
Thus the people would die of old age without ever coming into [hostile] collision with each other.

Translation by Frederic Henry Balfour (1884)

 

Knotted Cords from Meyers Konversationslexikon of 1888

Knotted Cords from Meyers Konversationslexikon of 1888

Chapter 80 is one of those parts of the Tao Te Ching that is sufficiently ambiguous as originally written that several differing interpretations arise based upon the way it is translated.  A reasonable “word-for-word” translation (taken from http://www.centertao.org/tao-te-ching/carl/chapter-80/) seems to be something like:

Small country, few people.
Enable the existence of various tools, yet never need them.
Enable the people attach importance to death, yet not travel around.
Although there exist boats and carriages, there is no place to ride them.
Although there exist weapons, there is no place to deploy them.
Enable the people to again use the knotted rope.
Find their food sweet, their clothes beautiful.
Peaceful in their lives, happy in their customs.
Neighboring countries mutually seen in the distance,
Of chicken and dog sounds mutually heard.
People until death not mutually come and go.

Let us begin by looking at some of the ways in which the first few lines are translated by others than Balfour.  In Arthur Waley’s 1934 translation, he begins “Given a small country with few inhabitants, He could bring it about that though there should be among the people contrivances requiring ten times, a hundred times less labour, they would not use them.  He could bring it about, [etc.]”  Waley continues writing in the third person rather than the first, changing the focus of the entire chapter.

D. C. Lau’s 1963 translation takes a different tact. He begins, “Reduce the size of the population and the state. Ensure that even though the people have tools of war for a troop or a battalion they will not use them. . . .” This seems like the writer is giving advice or direction to someone else, which is a different approach than Balfour’s or Waley’s.  Another consideration here is that Lau and Balfour both consider the “tools” mentioned in the word-for-word translation to be weapons or other instruments of war, while Waley sees them as labor-saving devices.

Lin Yutang’s 1948 translation begins this chapter as follows:  “[Let there be] a small country with a small population, where the supply of goods are ten or a hundredfold, more than they can use.”  This is yet another approach.  By saying “let there be,” he may be invoking the God of Genesis who created the world by issuing commands such as, “Let there be light.”  Or, perhaps, the language represents a plea or a prayer; or even a vision of some Taoist Utopia.  This is very similar to Wing-Tsit Chan’s 1963 translation:  “Let there be a small country with few people.  Let there be ten times and a hundred times as many utensils but let them not be used.” In a footnote Chan states that what he translates as “utensils” could mean “military weapons.”

Now let us look at the end of this chapter in these same translations.* Continue reading

SONG OF THE WEEK – “BEST DAY OF MY LIFE”

A couple of weeks ago for the Song of the Week, we heard, “After me say,’How many wishes can you wish in a day?'”

This week, after me say, “wo-o-o-o-o-o-o-oh.”

“Best Day of My Life” is a song by the American indie rock group, American Authors, that was released in 2013.  The members of the band first met while attending Berklee College of Music in Boston in 2006.  They originally called their group The Blue Pages.  They moved to Brooklyn in 2010, and changed the name to American Authors in 2012. “Best Day of My Life” was quite well received, as it became a Top 10 hit on music charts in places as diverse as the USA, Australia, Poland, Mexico, Sweden and many other countries.

I didn’t realize until I did a little research into the song that it has been used in commercials shown during the Super Bowl, as well as commercials for Hyundai in Europe, for Telecom New Zealand in New Zealand and for Nissan in Indonesia.  It was used by ESPN in the opening of its World Series of Poker coverage, as a theme song for NBC’s coverage of the Stanley Cup playoffs and was played at the conclusion of the Miss America Pageant..  It has been used in the soundtrack of various movies and TV shows. I can see, then, how the song easily fits in with one of the most American of holidays – Black Friday, which is being celebrated even as I post this piece..

Beyond that, it is certainly a song about life and its enjoyment; and that is the main reason it was chosen for this week.

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CHAPTER 79 – OBLIGATIONS

Chapter 79 – Obligations

 When a great hatred is reconciled, naturally some hatred will remain.
How can this be made good? 

. Therefore the sage keeps the obligations of his contract and exacts not from others.
Those who have virtue attend to their obligations;
those who have no virtue attend to their claims. 

. Heaven’s Reason shows no preference
but always assists the good man.

Translation by D. T. Suzuki and Paulo Carus (1913)

 

Like many (or most) chapters of the Tao Te Ching, this one can be read and interpreted on many levels.  The most obvious is that it relates to the “virtuous” (in the sense of Te)

Tao Yuanming by Chen Hongshou (from Wikipedia.org)

Tao Yuanming by Chen Hongshou (from Wikipedia.org)

resolution of disputes between individuals.  An excellent discussion of that interpretation is given by Amy Putkonen (who initiated the idea of Tao Te Ching Tuesdays) on her website.  I will let you read what she has to say in her essay while I suggest some other approaches to the chapter.

First, we can consider the well-known Zen saying:  “Before enlightenment, chopping wood and carrying water.  After enlightenment, chopping wood and carrying water.”  In other words, when a person attains so-called enlightenment, nothing magical happens.  The world remains as it always was, but the way in which it is perceived by the enlightened individual is shifted.  Life goes on, and with it the duties of life such as chopping wood and carrying water.  Emotions like hatred and bitterness, or even greed, would probably not be a part of the psyche of one who is enlightened.  Therefore, such a person would attend to his own duties and let others go their own ways.

The last two lines of this chapter may call to mind Chapter 6 of St. Matthew’s Gospel.  There, Jesus tells his disciples that they should not act like the hypocritical Scribes and Pharisees who perform religious duties like giving alms and praying as a show to impress whoever may be watching them.  Such actions are not truly virtuous, so Jesus tells his followers to retreat privately to a closet or small room to pray without anyone else knowing about it.  He then instructs them in what we now call the Lord’s Prayer (“Our Father, Who art in heaven . . .).  Following the discussion of prayer, he says that no person can serve two masters, those being God and money.  He teaches that the Father provides all the food needed for the birds of the sky, who neither plant nor reap; and that the lilies of the field are more beautifully dressed than even King Solomon.  He concludes by saying, “Seek ye first the kingdom of God and His righteousness; and all these things shall be added unto you.”  (Matthew 6:33, King James Version of Bible).

Putting that into the context of this chapter, it could be said that the Scribes and Pharisees were a hateful lot who had only contempt for those who did not believe as they did.  Jesus tells his disciples not to be like that.  Instead, they should follow their own virtue and beliefs.  By doing that, they will not only reach the Kingdom of God, but Heaven’s Reason will also assist them in this life.  They will be given all they need.  Bear in mind, though, that when one’s primary duty is to seek God’s kingdom, the things that are “needed” in the physical world may not include wealth, luxury and comfort.

The distinction between the followers of Jesus and the Scribes and Pharisees reminds us that in Chinese philosophy, for many centuries, there has been a distinction between Taoist and Confucian thought.  Continue reading

SONG OF THE WEEK – “WRITER IN THE SUN”

In the years since Thomas Edison invented the phonograph in 1877, millions of songs have been recorded by tens of hundreds of thousands of commercial recording artists, and more are being recorded every day.  With all of that music to choose from, what are the chances that two weeks in a row a song by Donovan from 1967 would be picked as the Song of the Week?

If you don’t want to do the math, or can’t remember the precise formulas (formulae?) for permutations and calculations, or feel that  I have provided insufficient data, I can just give you the answer.  The chances are not very good – but still, it has happened.  It makes you wonder how random the selection process is.

Let me ignore that issue, however, and briefly describe my employment history over the course of the 21st Century.  As the new Millennium dawned, I had started a new business – a title company.  A few years later, I sold that business to a larger corporation and began to work for that company.  A few years after that, my employer was purchased by a multi-billion dollar Fortune 500 company.  I continued working, but learned reasonably soon that I don’t like working for huge mega-corporations, so I retired in January of 2012 and began doing some independent consulting.

About six weeks later, I was asked if I could come back to work for my former employer to do “special” projects on a part-time basis, and for a smaller hourly wage (and without benefits).  That sounded good (?), so I have been doing that, plus some “consulting” ever since.

I became a grandfather in January of 2014.  When my daughter returned to work, I agreed that I would care for my grandson, Ryder, while she and her husband were working.  That way, he would not have to go to daycare.  Hanging out with a grandchild is more fun than title work, but it is time consuming.  Recently, I decided that I really don’t have time to work anymore, and I am now re-retiring.

That brings us to Donovan’s song.  By 1966, Donovan had experienced commercial success with songs like “Catch the Wind” and “Josie.”  However, like other contemporary “folk singers” of the time (most notably, Bob Dylan), he wanted to incorporate more electrical instruments and rock rhythms into his music.  His next album, Sunshine Superman, moved in that direction; though it was more “jazzy” than “rocking.”  It was also not released for many months after it was recorded due to to litigation between Pye Records, for which he had been recording, and Epic Records, with which he had agreed to record in the future.

Also in 1966, Donovan was arrested for possession of marijuana, and the United States refused to let him enter the country.  Thus, he was unable to tour and promote his songs.

Facing those various problems, Donovan wondered if he would ever be able to record and perform commercially again, so he did what most of us would probably do under the circumstances:  He took up residence on a Greek island for a few months.  It was there he wrote “Writer in the Sun.”  He was an aging 20-year-old looking back and moving away from the hectic city life of his youth.  The song was included on his 1967 album, Mellow Yellow, and here it is:

https://www.youtube.com/watch?v=4copaoZgCVI

Continue reading

CHAPTER 78 – MORE WATER

Chapter 78 – More Water

In the world there is nothing more submissive and weak than water.
Yet for attacking that which is hard and strong nothing can surpass it.
This is because there is nothing that can take its place.
 

That the weak overcomes the strong,
And the submissive overcomes the hard,
Everyone in the world knows yet no one can put this knowledge into practice.
 

Therefore the sage says,
One who takes on himself the humiliation of the state
Is called a ruler worthy of offering sacrifices to the gods of earth and millet.
One who takes on himself the calamity of the state
Is called a king worthy of dominion over the entire empire.
 

Straightforward words seem paradoxical.

 Translation by D. C. Lau (1963)

 Straightforward words often do seem paradoxical, but sometimes they begin to make sense when we hear them enough.  Certainly, we have heard most of what is said in this

OLYMPUS DIGITAL CAMERAchapter before.  In bringing forth his teaching about Tao, Lao Tzu uses many images.  The most common one is the image of water, with the feminine and the child or infant running a close second and third.

Here, of course, the image is of water.  Therefore, a good starting place for discussing this chapter is to re-read Chapter 8 which (again in Lau’s translation) contains the following:

Highest good is like water.
Because water excels in benefiting the myriad creatures without contending with them and settles where none would like to be, it comes close to the way.
. . . . . .
It is because it does not contend that it is never at fault.

The fact that the highest good settles in the lowest places calls to mind what was said in Chapter 66 (still using Lau’s translation):

The reason why the River and the Sea are able to be king of the hundred valleys is that they excel in taking the lower position.
Hence they are able to be king of the hundred valleys.
 

Therefore, desiring to rule over the people,
One must in one’s words humble oneself before them;

And, desiring to lead the people,
One must, in one’s person, follow behind them.

Therefore the sage takes his place over the people yet is no burden;
takes his place ahead of the people yet causes no obstruction.
That is why the empire supports him joyfully and never tires of doing so. 

It is because he does not contend that no one in the empire is in a position to contend with him.

Applying the thoughts from those earlier chapters to what is said here, I once again get the feeling that this chapter was written by someone other than Lao Tzu, and sometime after his teachings had received a degree of recognition.

This Chapter 78 first re-emphasizes that water, which benefits all things is submissive and weak, yet it is able to gradually smooth away even the hardest rocks or impediments.  That metaphor calls to mind a lazy stream or river following the path of least resistance  – a path that changes over time as it erodes its banks and the surrounding land.

However, water does not always work so subtly.  Continue reading