SONG OF THE WEEK – HYMN

Now thank we all our God
With heart and hands and voices,
Who wondrous things has done,
In whom his world rejoices1
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Rejoice always, pray without ceasing, give thanks in all
circumstances; for this is the will of God in Christ Jesus for you.2
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Good and bad men differ radically.  Bad men never appreciate kindness
shown them, but wise men appreciate and are grateful.  Wise men try to
express their appreciation and gratitude by some return of kindness,
not only to their benefactor, but to everyone else.3
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So, if you want to express gratitude for what you have received,
that’s fine.  However . . . who are you thanking?  Any higher power
such as God provides infinite unconditional love, unconditional giving
and wisdom and has no need for receiving anything.  The need for
offering thanks exists only in your mind . . . .4
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We [atheists] do not give thanks because . . .
our gratitude finds its way back to the giver and magically influences
their life. Nor do we do it to earn merit points in some unseen deity’s
gradebook. Instead, we give thanks for the most basic and humanist
of reasons: because it teaches us to be mindful of the contributions
others have made to ease our lives, and encourages us to show others
that same consideration in turn.5
——————————————————————–
Thank God I’m an atheist.6
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I am writing this on the weekend after Thanksgiving, so my inspiration for including the quotations above is obvious.  I previously wrote about gratitude in discussing Chapter 34 of the Tao Te Ching.  The quotes used here lead to a different approach to considering the concept, however. They emphasize that what gratitude means to a person is directly related to his or her belief in the divine and to the role of the divine in this world.

Accordingly, almost everyone’s sense of gratitude is constantly changing, for as we move through life, our appreciation and understanding of God is necessarily modified and adapted by our experiences.

The human brain is designed to learn from what has occurred in its environment and to extrapolate and project those lessons onto subsequent events.  It exists on the physical plane to help the body of which it is a part to survive on that plane.

However, the human mind – which is probably more than the brain – is metaphysical and capable of conceiving things beyond the physical.  Such conception is limited by the mechanics of the brain so that our understanding of what we call the divine arises from the same type of extrapolation and projection of what we have experienced in our environment.

As each of us move through our lifetimes, it is only natural that our experiences will create a desire to more fully understand that which is metaphysical.  We need to find religion – at least in the sense that the term may derive from the Latin re (again) and ligare (to bind or connect), implying that we wish to reconnect with that which is beyond our physical senses.

I was reminded of that basic human quest by Amy Putkonen, who has an interesting web site called taotechingdaily.com.  On November 23, 2014, Amy commented here on what I had written about Chapter 77 of the Tao Te Ching, as follows:

I wish sometimes that I could find a church that I could attend that basically was in agreement with my own beliefs but that allowed me to believe what I want as well and accepted my beliefs because, as a Taoist in Midwest America, this is challenging to find. My distrust of religion has caused me to be wary of going to any churches. Years ago, I did go to Unity Church for several years. I enjoyed it. The community there was wonderful, but that church is about an hour away now and I just can’t see driving two hours a week to go there. I’ve thought of joining a Unitarian church, as they seem to have a more universal appeal, but they often seem to be more political than spiritual to me. Who knows… maybe someday I will find my church. Jury is still out on that one.

Then, on November 19, 2015 – 360 days later – she posted an essay called “Whoa … a Church?  Really” in which she said:

Last week, Eric and I ventured out to the Unitarian Universalist Church of Minnetonka, a mere 15 or 20 minute drive from our house. (A very reasonable distance, given where we live.) Eric follows Eastern philosophy and does not consider himself to fit the Christian model either, so this seemed a good option to try. I did not have very high expectations because I had gotten it somewhere in my head that they were less “spiritual” than other churches – that they were more about service in the community. But lately, that slant has appealed to me so I thought that I would at least give them a try.

I was very glad that we did! It was the first time, EVER, that I have gone to a church and felt like it could be my church! Now this was only our first visit, so we must give it time, but it felt like love at first sight.

So, good for her.  It may not be the end of her search for religion, but it did remind me of an old Peter, Paul and May song called “Hymn.”  “Hymn” was primarily written by Noel Paul Stookey, and included on the 1968 album, Late Again.

There was always a spiritual core to the songs Stookey wrote, and after Peter, Paul and Mary quit performing regularly he was active in the area of Christian music.  His best known composition is “The Wedding Song (There Is Love),” which he wrote for Peter Yarrow’s wedding.

In a 2012 interview, Stookey pointed out that his mother was a Roman Catholic and his father an ex-Mormon.  He said, “We did an eclectic attendance at church. I had no real spiritual sense until I was 30 years old. I was touched by Christ’s life and that spirit and message, changed my life completely.”  The song “Hymn” expresses his personal search, and is representative of what many of us have experienced.

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SONG OF THE WEEK – FEELING GOOD

I have to admit that last week’s Song of the Week post was not an upbeat one.  It did say that we can, and should, make the world a better place than it is now.  However, the mention of the existing problems rather overwhelmed the hope of improvement.  Here for a change is a song that is positive and uplifting; a song for “Feeling Good.”

This song sort of found me by accident.  Our local recreation center has a class at 7:00 on Monday and Friday mornings that is described as “tai chi fusion.”  I had been meaning to see what that entailed, and I finally tried a class last week.

The instructor began by saying that she was going to start the music.  That, in itself, was different from any other tai chi class I have attended.  The first song she played (this song) was by Michael Bublé; and I felt I was going to be disappointed,  I have never been much of a Michael Bublé fan.

As I listened, and moved, though, I concluded that the song was quite appropriate.  Tai chi developed in China.  While it is not necessarily a Taoist discipline, it was certainly influenced by Taoist concepts like balance and yielding.  Also, Tao is an integral part of the natural world, and the goal of wu wei is to do nothing contrary to Nature.

In commenting on the Tao Te Ching, I have made several references to the practice of tai chi – with respect to Chapters 10 and 36, for example – so I won’t repeat that here.  I will only point out that the names given to many of the movements in the tai chi set come directly from, and are integral with, Nature – like white crane spreads wings, snake creeps down, golden cock stands on one leg, snake sticks out its tongue, etc.

The song “Feeling Good” places the singer within the flow of the natural world as he or she recognizes an affinity with birds and fish, dragonflies and butterflies, rivers and trees, the sun and the whole world.  Thus, the song fits with Tao; tai chi fits with both; and the outcome should be a good feeling for the participant in the practice.

The song, itself, is from the musical theater, written by Anthony Newley and Leslie Bricusse for The Roar of the Greasepaint – The Smell of the Crowd, which was first performed in 1964.  That play is an allegorical look at the relationship between the upper and lower classes in British society.  A character named “Cocky,” who represents the lower class, is continually thwarted in the “game of life” by the upper class representative, “Sir,” because Sir keeps changing the rules.  However at one point, while “Sir” and “Cocky” argue over those rules, a character called “the Negro” sneaks behind their backs to “win.”  He sings “Feeling Good” to celebrate the accomplishment.

“Feeling Good” has become a “standard” recorded by the likes of Sammy Davis, Jr., Jack Jones and Julie London, besides Michael Bublé.  John Coltrane released a great jazz instrumental version and Traffic presented the song as an extended jam on its Last Exit album.  A modern rock version was done by Muse in 2001.  The Pussycat Dolls had a minor hit with it in 2005; and it was redone as a single and Volvo commercial by Swedish electronic musician Avicii in May of 2015.

Many, many other versions of the song are available, but THE definitive rendition is the one by Nina Simone from 1965.  She did it like this:

https://www.youtube.com/watch?v=D5Y11hwjMNs

https://www.youtube.com/watch?v=D5Y11hwjMNs

Birds flying high
You know how I feel
Sun in the sky
You know how I feel
Breeze driftin’ on by
You know how I feel
It’s a new dawn
It’s a new day
It’s a new life
For me
And I’m feeling good
I’m feeling good

Fish in the sea
You know how I feel
River running free
You know how I feel
Blossom on a tree
You know how I feel
It’s a new dawn
It’s a new day
It’s a new life
For me
And I’m feeling good

Dragonfly out in the sun you know what I mean, don’t you know
Butterflies all havin’ fun you know what I mean
Sleep in peace when day is done
That’s what I mean
And this old world is a new world
And a bold world
For me

For me

Stars when you shine
You know how I feel
Scent of the pine
You know how I feel
Oh freedom is mine
And I know how I feel
It’s a new dawn
It’s a new day
It’s a new life

It’s a new dawn
It’s a new day
It’s a new life

It’s a new dawn
It’s a new day
It’s a new life
It’s a new life
For me

And I’m feeling good

I’m feeling good
I feel so good
I feel so good

https://www.youtube.com/watch?v=D5Y11hwjMNs

Copyright: Musical Comedy Prod. Inc. c/o The Richmond Org, Musical Comedy Productions Inc., Edizioni Musicali Mario Aromando S.r.l., Musical Comedy Prod. Inc. c/o The Richmond Organiza

SONG OF THE WEEK – PRINCE OF DARKNESS

I

Earlier this week, I was doing a meditation with some friends.  It was suggested that whenever an extraneous thought came along we should acknowledge, “I created that,” and let it pass.

How far beyond the mind and meditation should that acknowledgement be extended?

II

Some of the news headlines from the past few days:

  • TERRORISM SUSPECTED IN CRASH OF RUSSIAN AIRLINER; 224 DEAD
  • ANKARA SUICIDE BOMBERS KILL 102; OVER 500 INJURED
  • 42 DEAD IN SUICIDE BOMBING OF NIGERIAN MOSQUE
  • PARIS TERROR ATTACKS:  8 ATTACKERS DEAD AFTER KILLING MORE THAN 120 PEOPLE AND INJURING HUNDREDS

III

A young nun sits with her superior and asks, “Mother, why does God permit hundreds of innocent people to die at the hands of Satan and his violent terrorists?”

The mother superior replies, “Do not blame God or Satan, my child.  You have caused those deaths.”

“How can you say that?  I am cloistered, living at peace among my sisters.  I pray for peace in the world at least eight hours each day.  I do not eat the flesh of any living creature, and avoid even stepping on an ant that may cross my path.”

“How did you feel when you heard of the innocent deaths, my child?”

“Mostly I felt sad and confused.”

“Anything else?”

“For only a second, a part of me felt a spark of anger that such things could happen.”

“That spark, my child, is enough to ignite huge conflagrations far beyond the walls of this convent.”

IV

John Milton’s epic poem, Paradise Lost, refers to Satan as the “Prince of Darkness.”  It also tells us that Satan was formerly known as Lucifer.  I guess we already knew that because three centuries earlier, in his Inferno, Dante Alighieri had called Satan Lucifer (among other names).  “Lucifer,” translated from the Latin is an adjective meaning “light-bringing” or a noun referring to the morning star.

Hmmm.

V

The Nylons was an a cappella singing group formed by four underemployed actors in Toronto, Canada in about 1978.  The personnel in the group changed over time, but during the Nylons’ most productive years (starting in 1982 and going until about 1990) the members were Claude Morrison, Arnold Robinson, Paul Cooper and Mark Connors.

The group is best known for its fine cover versions of rock and roll standards like “Happy Together,” “The Lion Sleeps Tonight” and “Town Without Pity.”  Members of the group also wrote some excellent songs.  The Nylons’ best album was the second one released in 1982, entitled One Size Fits All.  It includes a song by Mark Connors and Paul Cooper called “Prince of Darkness.”

Pay attention to the lyrics.  If we haven’t “created that,” we surely can.

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SONG OF THE WEEK – ANGEL FROM MONTGOMERY

I remember back in 1970, I was working as a mailman in the Denver area, saving up the money I would need to go to law school.  The job was sort of stressful in the early morning when I had to get all the mail “up” and organized so I could take it out on the route.  Once I left the post office, though, it was mostly pleasant.  I was outside, working on my own with no supervision.  I could have lunch in the park, or wherever I liked; and the days when I finished early, I could read or write a song or poem until it was time to get back to the post office.  In September, 1971, I quit that job and went back to school.

At the same time, there was a mailman in the Chicago area writing songs while he was out on his route.  His name was John Prine.  He had delivered mail for a few years before he was drafted and went back to that job after he left the Army.

John Prine was then, and is today, a better songwriter than me; plus, he could sing and play the guitar.  He began performing at open mic nights in Chicago folk clubs, with other up and coming musicians like Steve Goodman.  He and Steve were recommended to Kris Kristofferson, who heard them perform and remarked that the songs John wrote were so good “we’ll have to break his thumbs.”  Instead, Kristofferson took Prine and Goodman to New York and helped them obtain recording contracts.

John Prine’s first album, entitled John Prine, was released by Atlantic Records in 1971 – and he also quit his job at the post office.  That debut album contained some of the really good songs he had written as a mailman – songs like “Illegal Smile,” “Sam Stone,” “Your Flag Decal Won’t Get You Into Heaven Anymore,” “Donald and Lydia,” “Hello In There” and our Song of the Week, “Angel From Montgomery.”

“Angel From Montgomery” is an amazing song in so many ways.  It begins, “I am an old woman named after my mother.”  When it came out, John was a 25-year old man.  Yet, the song rang true.  It brought the listener into the thoughts and dreams of a middle aged woman who feels she has grown old and life has passed her by.  In an interview, Prine said of this song:  “I didn’t realize all this at the time, but if you come up with a strong enough character, you can get a really vivid insight into the character that you’ve invented. You let the character write the song. You just dictate from then on. You stick to it, and whatever the character is saying, you have to figure out how to keep that in the song. You know? That’s how I do it. I almost go into a trance.”

“Angel From Montgomery” has been recorded by many other artists, and the most famous version is that by Bonnie Raitt on her 1974 album, Streetlights.  The YouTube video that is embedded below is a live recording of Raitt doing the song.

One image in the song that stays with a listener is the line, “There’s flies in the kitchen, I can hear ’em buzzin’.”  Well, it has been unseasonably warm here in Colorado this Fall – at least until the snow that came a couple of days ago.  All week, there has been a fly in our kitchen.  I couldn’t get it to leave, so I naturally thought of this song.

I might mention in passing that my wife, Cathy, retired from her position as a nurse and lactation consultant this week; but I would probably be in trouble if I thought, even for a minute, that this choice for Song of the Week was influenced by that fact.

So, here’s Bonnie ………

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LEILA (OR “LAYLA,” AS ERIC CLAPTON WOULD SAY)

We are extremely pleased to announce that Leila Catherine Koskimaki was born at about 9:42 a.m. on Monday, November 2, 2015.  At her birth, she weighed 6 pounds, 15 ounces; and she was 19 inches long.

Not only was this baby once the youngest person in the world, she is my granddaughter.  Here is a picture:

Lelia Day 1

The name Leila (and its variants, like Layla) is derived from Hebrew and Arabic names for an angel of the night.  The name became popular in the English-speaking world in the early 19th Century due to the popularity of characters with that name in two of Lord Byron’s narrative poems – Don Juan and The Giaour.  In 1880, when the U.S. Government began tracking the popularity of babies’ names, it was one of the top 200 names for girls.  Its popularity decreased over the next several decades, but it has made a big comeback since 1990.  In 2014, it was the 241st most popular name for U.S. babies, and 171st for those born in England.

It is a pretty name.

The song “Layla,” by Eric Clapton and Jim Gordon, was first released in 1971 on the album Layla and Other Assorted Love Songs, by Derek and the Dominos.  It is a good song (Rolling Stone ranked it Number 27 on its list of the “500 Greatest Songs of All Time”) with contrasting movements that were composed separately by Clapton and Gordon.

Eric Clapton has said that the song was inspired by the 12th Century Persian poet, Nizami Ganjavi’s, classic poem, “The Story of Layla and Majnun.”

More importantly, in November of 2015, mother and baby Leila are both doing fine.

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