SONG OF THE WEEK – “BEST DAY OF MY LIFE”

A couple of weeks ago for the Song of the Week, we heard, “After me say,’How many wishes can you wish in a day?'”

This week, after me say, “wo-o-o-o-o-o-o-oh.”

“Best Day of My Life” is a song by the American indie rock group, American Authors, that was released in 2013.  The members of the band first met while attending Berklee College of Music in Boston in 2006.  They originally called their group The Blue Pages.  They moved to Brooklyn in 2010, and changed the name to American Authors in 2012. “Best Day of My Life” was quite well received, as it became a Top 10 hit on music charts in places as diverse as the USA, Australia, Poland, Mexico, Sweden and many other countries.

I didn’t realize until I did a little research into the song that it has been used in commercials shown during the Super Bowl, as well as commercials for Hyundai in Europe, for Telecom New Zealand in New Zealand and for Nissan in Indonesia.  It was used by ESPN in the opening of its World Series of Poker coverage, as a theme song for NBC’s coverage of the Stanley Cup playoffs and was played at the conclusion of the Miss America Pageant..  It has been used in the soundtrack of various movies and TV shows. I can see, then, how the song easily fits in with one of the most American of holidays – Black Friday, which is being celebrated even as I post this piece..

Beyond that, it is certainly a song about life and its enjoyment; and that is the main reason it was chosen for this week.

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CHAPTER 79 – OBLIGATIONS

Chapter 79 – Obligations

 When a great hatred is reconciled, naturally some hatred will remain.
How can this be made good? 

. Therefore the sage keeps the obligations of his contract and exacts not from others.
Those who have virtue attend to their obligations;
those who have no virtue attend to their claims. 

. Heaven’s Reason shows no preference
but always assists the good man.

Translation by D. T. Suzuki and Paulo Carus (1913)

 

Like many (or most) chapters of the Tao Te Ching, this one can be read and interpreted on many levels.  The most obvious is that it relates to the “virtuous” (in the sense of Te)

Tao Yuanming by Chen Hongshou (from Wikipedia.org)

Tao Yuanming by Chen Hongshou (from Wikipedia.org)

resolution of disputes between individuals.  An excellent discussion of that interpretation is given by Amy Putkonen (who initiated the idea of Tao Te Ching Tuesdays) on her website, taotechingdaily.com.  I will let you read what she has to say in her essay while I suggest some other approaches to the chapter.

First, we can consider the well-known Zen saying:  “Before enlightenment, chopping wood and carrying water.  After enlightenment, chopping wood and carrying water.”  In other words, when a person attains so-called enlightenment, nothing magical happens.  The world remains as it always was, but the way in which it is perceived by the enlightened individual is shifted.  Life goes on, and with it the duties of life such as chopping wood and carrying water.  Emotions like hatred and bitterness, or even greed, would probably not be a part of the psyche of one who is enlightened.  Therefore, such a person would attend to his own duties and let others go their own ways.

The last two lines of this chapter may call to mind Chapter 6 of St. Matthew’s Gospel.  There, Jesus tells his disciples that they should not act like the hypocritical Scribes and Pharisees who perform religious duties like giving alms and praying as a show to impress whoever may be watching them.  Such actions are not truly virtuous, so Jesus tells his followers to retreat privately to a closet or small room to pray without anyone else knowing about it.  He then instructs them in what we now call the Lord’s Prayer (“Our Father, Who art in heaven . . .).  Following the discussion of prayer, he says that no person can serve two masters, those being God and money.  He teaches that the Father provides all the food needed for the birds of the sky, who neither plant nor reap; and that the lilies of the field are more beautifully dressed than even King Solomon.  He concludes by saying, “Seek ye first the kingdom of God and His righteousness; and all these things shall be added unto you.”  (Matthew 6:33, King James Version of Bible).

Putting that into the context of this chapter, it could be said that the Scribes and Pharisees were a hateful lot who had only contempt for those who did not believe as they did.  Jesus tells his disciples not to be like that.  Instead, they should follow their own virtue and beliefs.  By doing that, they will not only reach the Kingdom of God, but Heaven’s Reason will also assist them in this life.  They will be given all they need.  Bear in mind, though, that when one’s primary duty is to seek God’s kingdom, the things that are “needed” in the physical world may not include wealth, luxury and comfort.

The distinction between the followers of Jesus and the Scribes and Pharisees reminds us that in Chinese philosophy, for many centuries, there has been a distinction between Taoist and Confucian thought.  Continue reading

SONG OF THE WEEK – “WRITER IN THE SUN”

In the years since Thomas Edison invented the phonograph in 1877, millions of songs have been recorded by tens of hundreds of thousands of commercial recording artists, and more are being recorded every day.  With all of that music to choose from, what are the chances that two weeks in a row a song by Donovan from 1967 would be picked as the Song of the Week?

If you don’t want to do the math, or can’t remember the precise formulas (formulae?) for permutations and calculations, or feel that  I have provided insufficient data, I can just give you the answer.  The chances are not very good – but still, it has happened.  It makes you wonder how random the selection process is.

Let me ignore that issue, however, and briefly describe my employment history over the course of the 21st Century.  As the new Millennium dawned, I had started a new business – a title company.  A few years later, I sold that business to a larger corporation and began to work for that company.  A few years after that, my employer was purchased by a multi-billion dollar Fortune 500 company.  I continued working, but learned reasonably soon that I don’t like working for huge mega-corporations, so I retired in January of 2012 and began doing some independent consulting.

About six weeks later, I was asked if I could come back to work for my former employer to do “special” projects on a part-time basis, and for a smaller hourly wage (and without benefits).  That sounded good (?), so I have been doing that, plus some “consulting” ever since.

I became a grandfather in January of 2014.  When my daughter returned to work, I agreed that I would care for my grandson, Ryder, while she and her husband were working.  That way, he would not have to go to daycare.  Hanging out with a grandchild is more fun than title work, but it is time consuming.  Recently, I decided that I really don’t have time to work anymore, and I am now re-retiring.

That brings us to Donovan’s song.  By 1966, Donovan had experienced commercial success with songs like “Catch the Wind” and “Josie.”  However, like other contemporary “folk singers” of the time (most notably, Bob Dylan), he wanted to incorporate more electrical instruments and rock rhythms into his music.  His next album, Sunshine Superman, moved in that direction; though it was more “jazzy” than “rocking.”  It was also not released for many months after it was recorded due to to litigation between Pye Records, for which he had been recording, and Epic Records, with which he had agreed to record in the future.

Also in 1966, Donovan was arrested for possession of marijuana, and the United States refused to let him enter the country.  Thus, he was unable to tour and promote his songs.

Facing those various problems, Donovan wondered if he would ever be able to record and perform commercially again, so he did what most of us would probably do under the circumstances:  He took up residence on a Greek island for a few months.  It was there he wrote “Writer in the Sun.”  He was an aging 20-year-old looking back and moving away from the hectic city life of his youth.  The song was included on his 1967 album, Mellow Yellow, and here it is:

https://www.youtube.com/watch?v=4copaoZgCVI

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CHAPTER 78 – MORE WATER

Chapter 78 – More Water

In the world there is nothing more submissive and weak than water.
Yet for attacking that which is hard and strong nothing can surpass it.
This is because there is nothing that can take its place.
 

That the weak overcomes the strong,
And the submissive overcomes the hard,
Everyone in the world knows yet no one can put this knowledge into practice.
 

Therefore the sage says,
One who takes on himself the humiliation of the state
Is called a ruler worthy of offering sacrifices to the gods of earth and millet.
One who takes on himself the calamity of the state
Is called a king worthy of dominion over the entire empire.
 

Straightforward words seem paradoxical.

 Translation by D. C. Lau (1963)

 Straightforward words often do seem paradoxical, but sometimes they begin to make sense when we hear them enough.  Certainly, we have heard most of what is said in this

OLYMPUS DIGITAL CAMERAchapter before.  In bringing forth his teaching about Tao, Lao Tzu uses many images.  The most common one is the image of water, with the feminine and the child or infant running a close second and third.

Here, of course, the image is of water.  Therefore, a good starting place for discussing this chapter is to re-read Chapter 8 which (again in Lau’s translation) contains the following:

Highest good is like water.
Because water excels in benefiting the myriad creatures without contending with them and settles where none would like to be, it comes close to the way.
. . . . . .
It is because it does not contend that it is never at fault.

The fact that the highest good settles in the lowest places calls to mind what was said in Chapter 66 (still using Lau’s translation):

The reason why the River and the Sea are able to be king of the hundred valleys is that they excel in taking the lower position.
Hence they are able to be king of the hundred valleys.
 

Therefore, desiring to rule over the people,
One must in one’s words humble oneself before them;

And, desiring to lead the people,
One must, in one’s person, follow behind them.

Therefore the sage takes his place over the people yet is no burden;
takes his place ahead of the people yet causes no obstruction.
That is why the empire supports him joyfully and never tires of doing so. 

It is because he does not contend that no one in the empire is in a position to contend with him.

Applying the thoughts from those earlier chapters to what is said here, I once again get the feeling that this chapter was written by someone other than Lao Tzu, and sometime after his teachings had received a degree of recognition.

This Chapter 78 first re-emphasizes that water, which benefits all things is submissive and weak, yet it is able to gradually smooth away even the hardest rocks or impediments.  That metaphor calls to mind a lazy stream or river following the path of least resistance  – a path that changes over time as it erodes its banks and the surrounding land.

However, water does not always work so subtly.  Continue reading

SONG OF THE WEEK – “LITTLE BOY IN CORDUROY”

Ah, 1967, the Summer of Love, when all the groovy and mellow flower children migrated to the Haight-Ashbury District of San Francisco to live, high on life, in communion with Nature and all her creatures.

Actually, not quite all of the flower children.  Perhaps the most laid-back and mellow was in the UK, a Scottish singer, songwriter and musician named Donovan Leitch, who recorded simply as Donovan.  He had first gained recognition with folk-influenced works like “Catch the Wind” and “Try for the Sun,” but became a true international superstar with his “rocking” numbers like “Sunshine Superman” and “Mellow Yellow.”  Though neither of those hits really rocks by today’s standards, the Sunshine Superman album included “Season of the “Witch,” which has been covered by many artists ranging from Dr. John to Vanilla Fudge to Brian Auger and the Trinity, and which truly can rock your socks off.

When Donovan went back to the studio to record the album to follow up Mellow Yellow, he decided to record two new albums.  One, called Wear Your Love Like Heaven, featured electric instruments and was intended for listeners of his generation who were – or would become – parents.  The other, called For Little Ones, was acoustic and meant to speak to the children.  The two were released together in a boxed set entitled A Gift from a Flower to a Garden.  It was perhaps the first rock boxed set and included not only the two albums, but also artwork, lyrics to the songs on For Little Ones, an infrared cover photo and more.

As if Donovan was not sufficiently mellow on his own, he had, by 1967, become a student and devotee of Maharishi Mahesh Yogi, and a photo of the Maharishi is on the back cover of the set.  I have read that “Isle of Islay,” from For Little Ones, was the Maharishi’s favorite song.

To escape the stress of modern life, a person could sit down and listen (really LISTEN) to almost any track on either of the albums – three minutes that could save years of meditation practice or psychotherapy.  This week’s Song of the Week is “Little Boy in Corduroy” from Wear Your Love Like Heaven.  It is the song that has been in my head, and it has a great duet between an organ and a whistler.  Although it is probably not the best song from the set, it doesn’t really get any better than this.

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CHAPTER 77 – THE MEAN

Chapter 77 – The Mean

Heaven’s Way is indeed like the bending of a bow.
When (the string) is high, bring it down.
When it is low, raise it up. When it is excessive, reduce it.
When it is insufficient, supplement it. 

The Way of Heaven reduces whatever is excessive and supplements whatever in insufficient.
The way of man is different. It reduces the insufficient to offer to the excessive. 

Who is able to have excess to offer to the world? Only the man of Tao. 

Therefore the sage acts, but does not rely on his own ability.
He accomplishes his task, but does not claim credit for it.
He has no desire to display his excellence. 

Translation by Wing-Tsit Chan (1963)

JusticeIf these words sound familiar, it is possibly because we have heard them before.  Look at the last lines in the translation above and compare them with the following language in Chan’s translation of Chapter 2: 

“He acts, but does not rely on his own ability.
He accomplishes his task, but does not claim credit for it.”

In Chapter 10 of Chan’s translation, we find:  “To act, but not rely on one’s own ability.”  His translation of Chapter 51 includes:  “[Tao] acts, but does not rely on its own ability.”

The beginning lines in this chapter also come with some familiarity.  In the comments on Chapter 9, I mentioned the similarity between aspects of Tao and the Middle Way of Buddhism and Aristotle’s Golden Mean.  The first four lines seem to follow that line of thought.

The fifth and sixth lines tell us that the way of man generally does not follow that “middle way.”  Rather, those that have take from those who do not have – the rich get rich and the poor stay poor.  This, too, has been said previously; as recently as Chapter 75.

However, I think that rather than a simple repetition of ideas, this chapter is included to make a particular point.  For reasons that will become clear in the following discussion, it also seems that it was probably added sometime after Lao Tzu’s original writing.  Continue reading

SONG OF THE WEEK – “QUICK AS DREAMS”

A tragic event occurred in Winnipeg, Manitoba, Canada, on September 22, 1927.  A 16-year old jockey named Earl “Sandy” Graham was riding a horse named Vesper Lad, leading the field when the horse stumbled and his rider was thrown to the track and trampled by the horses behind him.  He suffered a broken back, injuries to his chest and internal injuries.  He was carried by other jockeys to the tack room, but there was no medical treatment available and no ambulance service.  His friend and fellow-jockey Tommy Luther begged racetrack officials to take Graham to the hospital, but they refused.  Other jockeys may have wanted to help, but all were without funds and under contract to ride in later races.  If they did not ride, they would lose their only means of livelihood..

Tommy Luther took up a collection for cab fare, but those present did not have enough money between them to provide Graham a ride to the hospital.  Instead, he lay in the tack room for hours until the day’s races had all been run.  Only then was he taken to the hospital, where he died 10 days later.  As a jockey, he had no life insurance or other benefits.  His family could not afford to bring the body back to his home in California, so the final resting place for Sandy Graham was a pauper’s grave in Winnipeg.

Tommy Luther continued to ride.  The following year, he won what was then the world’s richest race, the Agua Caliente Handicap.  When he retired a quarter of a century later, he trained thoroughbred racehorses for another 26 years.  Tommy Luther did not forget Sandy Graham, though.  They had been best friends – and Tommy had been scheduled to ride Vesper Lad on that September afternoon, but his mount was changed at the last minute.

In 1940, Tommy became one of the founders of the Jockeys’ Guild, a professional trade association, which was ultimately able to bargain with the owners and racetracks to secure safer working conditions for the jockeys.  His involvement resulted in his being banned from racing for one year.  That’s how it was in those days.

I first heard the story about Tommy Luther and Sandy Graham when I read Laura Hillenbrand’s book, Seabiscuit:  an American Legend, back in 2001 or 2002.  A singer-songwriter named Slaid Cleaves, who is part of the Austin, Texas, music scene read the same book and wrote a great song about the incident.  “Quick as Dreams” was released on his 2004 album, Wishbones.  I listened to the song today for the first time in several months, and decided it should be the Song of the Week.

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CHAPTER 76 – YOU ARE OLD, FATHER WILLIAM

Chapter 76 – You Are Old, Father William

When people are born they are gentle and soft.
At death they are hard and stiff.
When plants are alive they are soft and delicate.
When they die, they wither and dry up.
Therefore the hard and stiff are followers of death.
The gentle and soft are the followers of life. 

Thus, if you are aggressive and stiff, you won’t win.
When a tree is hard enough, it is cut. Therefore
The hard and big are lesser,
The gentle and soft are greater.

 Translated by Charles Muller (2011)

I have come to understand that this is a difficult chapter to translate, and various translations I have read use differing words and images.  All of them, though, convey the sense that all things begin life as something soft, tender, gentle and flexible, only to become stiff and hard as they age and eventually die.  Charles Muller’s translation expresses the concept well without any superfluous language, so it was chosen for this essay.

You Are Old, Father William

You Are Old, Father William

Even though the work of translation may be difficult here, the concept expressed is neither difficult nor new.  It can be tied back to chapters like Chapter 6 which praises the receptiveness of the Divine Feminine or to Chapters 10 and 36 in which I referred to the art of tai chi ch’uan to illustrate the power that comes from the gentle and supple movements of the internal martial arts.

A further discussion of the concept might include the words of Jesus in Matthew 18:3 that unless “ye become as little children, ye shall not enter the kingdom of heaven”; or in Matthew 5:5 that “Blessed are the meek for they shall inherit the earth.”  It might also include further discussion of the treasure of humility highlighted in Chapter 67.  Instead, though, I am going to offer for consideration “You Are Old, Father William,” from Lewis Carroll’s Alice’s Adventures in Wonderland, which goes:  Continue reading